A poster for a documentary screening about OnlyFans
A poster for a documentary screening about OnlyFans
The team behind journalist and YouTuber Gaspard G contacted me to design the official poster for the cinema screening of their documentary The Shop Window of Intimacy, presented at MK2 cinemas in Paris.
The documentary explores the ecosystem of the OnlyFans platform and questions how intimacy is staged and commodified within the digital economy. For this screening, the team wanted a visually striking poster capable of reflecting the subject of the film while sparking curiosity.
I was given significant creative freedom to develop a visual concept representing the themes of the documentary.
The team behind journalist and YouTuber Gaspard G contacted me to design the official poster for the cinema screening of their documentary The Shop Window of Intimacy, presented at MK2 cinemas in Paris.
The documentary explores the ecosystem of the OnlyFans platform and questions how intimacy is staged and commodified within the digital economy. For this screening, the team wanted a visually striking poster capable of reflecting the subject of the film while sparking curiosity.
I was given significant creative freedom to develop a visual concept representing the themes of the documentary.
Art direction and creative process
Art direction and creative process
The visual concept directly draws inspiration from the documentary’s title: The Shop Window of Intimacy. I imagined a night scene where Gaspard G stands in front of the window of a questionable shop, filled with television screens displaying suggestive imagery.
These screens symbolize the exposure of intimacy and its transformation into a consumable product. Positioned in front of this illuminated storefront, the character represents the viewer confronting this commodification.
The main environment was created in 3D to precisely control lighting, composition, and atmosphere. A photograph of Gaspard G was then integrated into the scene during the compositing stage.
Post-production was carried out using Photoshop and After Effects, including photographic integration, color grading, chromatic aberrations, and visual treatments to reinforce the nocturnal and immersive atmosphere of the image.
The visual concept directly draws inspiration from the documentary’s title: The Shop Window of Intimacy. I imagined a night scene where Gaspard G stands in front of the window of a questionable shop, filled with television screens displaying suggestive imagery.
These screens symbolize the exposure of intimacy and its transformation into a consumable product. Positioned in front of this illuminated storefront, the character represents the viewer confronting this commodification.
The main environment was created in 3D to precisely control lighting, composition, and atmosphere. A photograph of Gaspard G was then integrated into the scene during the compositing stage.
Post-production was carried out using Photoshop and After Effects, including photographic integration, color grading, chromatic aberrations, and visual treatments to reinforce the nocturnal and immersive atmosphere of the image.
